Am working all through the weekend to complete the fine cut on the film. All is swell and it is just a matter of fine tuning al of the work and making it the very best it can be. Had a chance to screen it for Brian Shaw and he was instrumental in pointing out small things that worked - and didn't work - for him. This is one of the reasons why you screen works-in-progress. It's not a question of doubting oneself - it is really all about getting a 2nd or 3rd opinion. Julie has been instrumental in keeping the cut in line and has spent many hours watching, revising and reviewing the material. She is the best producer I have ever worked with - and it shows in the work. We will mix in Canada in December and have an ADVANCE SCREENING in January for cast and crew and friends-of-the-film. Alden Moore is in the UK so I will send her a DVD in PAL format so she can watch the film when we do. As this portion of the edit comes to a close (and we begin 6 weeks of Sound Editing), I am thrilled by what we achieved.